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Shades of Swing"Whip me, Swing me, Shag me"......and that ain't no Jive
Tell me what your shade of swing is! Sasse
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April 13 Jack & Jill O'Rama.
Here’s the Jack & Jill O’Rama page
http://www.centralcoastswingdance.com/jacknjill/index.html
http://www.centralcoastswingdance.com/jacknjill/flyer.html
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Phil Adams ~ Skippy Blair ~ Kelly Casanova ~ Arjay Centeno ~ Luis Crespo ~ Gary Jobst
August 05 lindy exchange 09The 2009 Lindyexchange calendar is now up to serve your 2009 lindyexchange calendar needs. <-----------------------News-----------------------> Virginia BeachNorfolk Exchange (DirtCheapBlues) banner is up! 9/11/2008 - 9/14/2008 www.dirtcheapblues.com Albany, NY Exchange (Albany Chill 2008) banner is up! 9/5/2008 - 9/7/2008 www.albanychill.com/chill Knoxville, TN Exchange (Knoxville Lindy Exchange 2008) banner is up! 11/14/2008 - 11/16/2008 klx.swingknoxville.org Memphis, TN Exchange (Red Hot Lindy Exchange (Memphis)) banner is up! 10/17/2008 - 10/19/2008 www.rhlxmemphis.com Germany, Munich Exchange (Munich LindyExchange 2008) banner is up! 9/18/2008 - 9/21/2008 www.lindyexchange.de Gothenburg, Sweden Exchange (Gothenburg Lindy Exchange 2008) banner is up! 8/1/2008 - 8/3/2008 gbglx.com Edinburgh, Scotland Exchange (Edinburgh Lindy Hop Exchange 2008) banner is up! 9/26/2008 - 9/28/2008 www.edinburghlindyexchange.co.uk August 04 Lindy Exchange EventsThe 2009 Lindyexchange calendar is now up to serve your 2009 lindyexchange calendar needs. <-----------------------News-----------------------> Virginia BeachNorfolk Exchange (DirtCheapBlues) banner is up! 9/11/2008 - 9/14/2008 www.dirtcheapblues.com Albany, NY Exchange (Albany Chill 2008) banner is up! 9/5/2008 - 9/7/2008 www.albanychill.com/chill Knoxville, TN Exchange (Knoxville Lindy Exchange 2008) banner is up! 11/14/2008 - 11/16/2008 klx.swingknoxville.org Memphis, TN Exchange (Red Hot Lindy Exchange (Memphis)) banner is up! 10/17/2008 - 10/19/2008 www.rhlxmemphis.com Germany, Munich Exchange (Munich LindyExchange 2008) banner is up! 9/18/2008 - 9/21/2008 www.lindyexchange.de Gothenburg, Sweden Exchange (Gothenburg Lindy Exchange 2008) banner is up! 8/1/2008 - 8/3/2008 gbglx.com Edinburgh, Scotland Exchange (Edinburgh Lindy Hop Exchange 2008) banner is up! 9/26/2008 - 9/28/2008 www.edinburghlindyexchange.co.uk March 04 Swung eight musicIn music, a swung note or shuffle note is the rhythmic device in which the duration of the initial note in a pair is augmented and that of the second is diminished. A swing or shuffle rhythm is the rhythm produced by playing repeated pairs of notes in this way. Lilting can refer to swinging, but might also indicate syncopation or other subtle ways of interpreting and shaping musical time.
In some jazz music, especially of the big band era, there is a convention that pairs of written eighth notes are not played equally--as the notation would otherwise be understood--but with the first longer than the second. The first note of each of these pairs is often understood to be twice as long as the second, implying a quarter note-eighth note triplet feel, but in practice the difference is rarely that pronounced (see "amount of swing," below). This is an assumed convention of notation in many styles of jazz, but usually does not apply to jazz before the early 1930s, latin jazz, bebop, or to the work of composers writing in the 1950s or later, unless "swing" is specified in the score. Notes that are not swung are known as straight notes. In dance, swing or shuffle time or rhythm is music whose meter is that of common time played with a swing. It may be written as simple time and played with a swing, or as compound time and played as written. See transcribing swing rhythms below. See also swing (genre) for musical style, and swing (dance) for styles of dance. Amount of swingPeople sometimes mistakenly indicate swing rhythms by marking their scores with an indication that pairs of eighth notes should be treated as a quarter and an eighth in a triplet bracket. In actuality, swing rhythms range anywhere from slightly asymmetrical pairs to imbalances of a more pronounced sort. The subtler end of the range involves treating written pairs of eighth notes as slightly asymmetrical pairs of similar values. On the other end of the spectrum, the "dotted eighth - one thousandth" rhythm, consists of a long note three times as long as the short. Prevalent "dotted rhythms" such as these in the rhythm section of dance bands in the mid 20th century are more accurately described as a "shuffle"; they are also an important feature of baroque dance and many other styles. Rhythms identified as swung notes most commonly fall somewhere between straight eighths and a quarter-eighth triplet pattern.
The following points of reference are reliable only as approximations of musical practice:
Since a swung note is actually not a note of the named length (a swung eighth note is not an eighth note), some musicians consider this term a misnomer.
Swing rhythmIn jazz, this interpretive device is assumed in most written music other than dixieland, latin jazz, jazz-funk (soul-jazz) and jazz-fusion and bebop, but may also be indicated. For example, "Satin Doll", a swing era jazz standard is normally interpreted with a pronounced swing rhythm. It was published written in 4/4 time, but at least some versions also note medium swing.
In dance music, swing rhythm generally refers to the meter of the music, rather than to this convention of notation, so any music played with the "near-triplet" timing (see above) and swing accent will be referred to as swing rhythm however they are written. Styles
Swing is commonly used in blues, country, jazz, swing, and often in many other styles. Except for very fast jazz, slow ballads and latin jazz, much written music in jazz is assumed to be performed with a swing rhythm, although publishers sometimes specify "with a swing". In jazz and big band music, a shuffle is almost always accompanied by a distinctive cooking rhythm played on the ride cymbal or hi hat. Styles that always use traditional (triplet) rhythms, resembling "hard swing," include:
Styles that sometimes use swing rhythms include:
Transcribing swing rhythmsIn the swing era, swing meant accented triplets (shuffle rhythm), suitable for dancing. With the development of bebop and later jazz styles independent of dancing, the term was used for far more general timings. There is much debate over use of other ratios than 2:1 in swing rhythms.
Some publishers of jazz music, especially those whose intended audience is people unfamiliar with jazz styles, transcribe the swing either:
In general, where music with a swing meter is required, musicians in the jazz tradition will prefer to read music written in common time and played with a swing, while musicians in the classical tradition will prefer to read music written in compound time and played as written.
See also
Further reading
External linksJust Jazz Guitar Magazine Article (PDF) Aug 2003 Article is a look at swing timing, what we mean by swing and working on swing feel.
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1.5:1 = long eighth + short eighth, "swing" or "shuffle"
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